Annika Haas
Annika Haas

Art writing in English

Portals of Tiergarten, commissioned essay for Nerya Shohat, Bis in die Puppen, at Kunstraum Potsdamer Straße Berlin, July 2025.

Multilations, commissioned essay for Petja Ivanova, Soma of the Land, at Folkwang Museum Essen, September–October 2024.

Welcome to KLUB WRKR, exhibition text for Kyle Bellucci Johanson, KLUB WRKR, at council_st Los Angeles, May–June 2024.

Self-Hyphen-Publishing, In Lerchenfeld, no. 63, October 2022, 5–13.

Not a Spectacle: Navigating the Broken Arena. Annika Haas on Nikita Gale at 52 Walker, New York, In Texte zur Kunst, June 2022.

Seize the Minute, Annika Haas on Kovács/O’Doherty’s Minute/Year at grüntaler 9, Berlin, January 2019.

 

Annika Haas

Brandon LaBelle, The Ungovernable, Listening Space, documenta 14, Athens, 2017, installation view.

Annika Haas

Brandon LaBelle, The Ungovernable, Listening Space, documenta 14, Athens, 2017, installation view.

Art writing in German

Die schlechten Gefühle massieren, response to the film Scupper 13 by Ileana Farabani, Moviemento cinema Berlin, May 2025.

Alte Fragen an ein junges Publikum, In Magazin / Fonds Darstellende Künste, October 2023.
Performance Performance, Annika Haas über Shahab Anoushas WHIRLPOOL, In Der Schaubude-Blog, November 2022.
Die Eigenzeit der Engel, Annika Haas über Simone Fattal in der Klosterruine Berlin, In Texte zur Kunst online, August 2021.
Proto-whatever-that-next-phase-is, Annika Haas über Holly Herndon in der Volksbühne Berlin und im Haus der elektronischen Künste Basel, In Texte zur Kunst, Nr. 115, September 2019,158–161.
As if there were no ifs. Annika Haas über das Club Transmediale Festival 2019 in Berlin
in: Texte zur Kunst online, March 2019.
Sonic Imagination, Annika Haas über Brandon LaBelle auf der documenta 14, In wissenderkuenste.de, Onlinepublikation des DFG-Graduiertenkollegs „Wissen der Künste", Nr. 6: Learning from. Texte zur documenta July 2017.

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